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Community Q&A – Jenny Bosten

Jenny Bosten is a Mini Hack rock star. The name "Mini Hack" refers to our MATLAB competitions, of which there have been several. For each of these Mini Hack competitions, Jenny has created images and animations of surpassing beauty, all with a deft handful of MATLAB commands. Every one of her entries is a work of art, demonstrating a deep understanding of the relationship between mathematics and aesthetics. None other than Cleve Moler (the original author of MATLAB) wrote admiringly in his blog: "Her code for Time Lapse of Lake View to the West shows she is also a wizard of coordinate systems and color maps." As you can imagine, we were thrilled to have a conversation with her and learn more about her story.

Q: How did you start with MATLAB?

A: I started MATLAB when I started by PhD and had to code an experiment on visual perception (in colour perception area). I had some code for a totally different experiment that someone had written as my main source of information on how to code!

Q: You are a superstar in the Mini Hack contests. What motivated you to join?

A: I thought it was a competition that nicely combines some of my interests in MATLAB, vision science and aesthetics. I thought making code very concise (tweet length) was an interesting challenge.

Q: You're very good at taking algorithmic images and "softening" them to make them more realistic, organic, and soothing. What are some of the techniques you use for this? Why do you think these techniques have such a strong aesthetic effect?

A: I think to make something aesthetic some randomness is key. Natural scenes that people find beautiful have characteristic visual statistics. They aren’t too regular, they have a certain fractal dimension, a certain slope if you plot contrast against spatial frequency. Using randomness allows us to mimic some of those properties and make the output seem less artificial and computer-generated. Another way of ‘softening’ the contents of image is using transparency and combining multiple layers, so that there is overlap and occlusion in the image – again, that makes the results look more natural.

Q: You have a good eye for atmospherics. Do you study natural formations like clouds and ocean waves? Are you a nature photographer?

A: I don’t study physical formations, I study the human visual system! That said, I do like clouds! I am a member of a photography group that shares images of skies and clouds, though I am more of a spectator than a contributor!

Q: What is the contest entry you are most proud of?

A: I was happy with Cumulus. I would have liked the clouds to be even fluffier, but it was about what I was aiming for within the character limit.

Q: What contest entries from other contest participants do you find most interesting?

A: My all-time favourite contest entry is Tim’s 2022 Dunes of Mars. He has included an option to uncomment some lines to watch the ‘sand dunes’ form. This is really very impressive, and the result looks like a convincing image of the Martian surface from directly overhead.

Q: If you magically could add a missing feature to MATLAB or MATLAB Graphics, what would it be?

A: I guess I would try to make default plotting options more aesthetic. Things have been heading in that direction over the years, but it would help students and people new to MATLAB to be able to produce publishable graphics more easily.

Q: What advice do you have for people who are new to MATLAB?

A: I think the best way of learning MATLAB is to problem-solve with it. Try to solve an interesting problem with it that you care about. Even if it is something that you could easily solve with a spreadsheet or Photoshop!

Q: What do you love to do outside of MATLAB?

A: I enjoy learning about human visual perception, and basically most other topics in science. I like to travel, play the cello, swim, and spend time with my family!

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